Manoj Bajpai began his OTT debut two years ago with The Family Man on Prime Video, and little did we anticipate how versatile he is. The series exploded in popularity and quickly became one of everyone’s favourite binge-watch shows.
Following the release of Season 1, the second installment of this series – The Family Man Season 2 premiered on June 4, 2021. If you haven’t seen the first season and are intending to binge stream the series. Continue reading this article until the end to obtain a comprehensive review of both seasons without any spoilers.
A Synopsis of the The Family Man Season 1’s Major Characters
Srikant Tiwari: Srikant is indeed an Indian intelligence officer, portrayed by Manoj Bajpayee. He is desperately struggling to take his family together while also attempting to preserve the country. Bajpayee portrayed Tiwari as an everyday person with a deadpan expression and a loud sense of humour. He wowed us with his exceptional ability to deal with terrorists and his unrivalled ability to juggle the jobs of secret agent, warrior, and The Family Man!
Moosa: Nobody would have played Moosa better than Tamil actor Neeraj Madhav. None of us suspected it until Moosa changed his demeanour to ‘erase evidence’ that would reveal his actual identity. The show’s suspense and turns caused every spectator to yell ‘WHOA!’
The friendship between JK and Srikant: Everyone needs a buddy the same as JK in their life, and we are most emphatically not joking! Both have such a tight relationship that JK is the only person who truly understands Srikant. It portrays each moment in which they pull one other’s leg and remain beside each other regardless of the scenario.
One of the primary reasons for Season 1’s popularity is the overlaying of several stages in Tiwari’s life. On the one hand, you see Tiwari as a devoted dad who is constantly loving and defending his family from adversity; but on the other side, we see him hard at work, combating criminals to safeguard his country’s residents. These subplots contribute to an engaging tale that keeps us engaged.
A Dig Deep Into ‘The Family Man Season 2’
The Family Man Season 2 – premiering on Amazon Prime Video has a newcomer, Suparn S. Varma – who continues to southern India and starts on a secret island in Sri Lanka. While the first season included ISIS terrorists and ISI agents, the current season centres on Pakistan’s spy agency partnering with Tamil separatists to murder India’s head of state.
On the other side, Srikant has left the Threats Assessment and Monitoring Cell and joined an information technology business. He maintains a nine-to-five schedule, drops his children off at school, and spends free time at home. However, he continues to be as intense and meticulous as ever. He emphasizes the value of “quality family time” by ensuring that no one uses their phones at the dinner table.
However, a new career does not always imply a better living. His wife, Suchitra, has grown distant from him, while his daughter, Dhriti, prefers to pursue her interests. As though Srikant had returned to an apartment that was too small for him. He is also dissatisfied with his employment. His 28-year-old employer taunts him, admonishing him not to be a “minimum person.” Srikant, who continues to meet with his former colleague and buddy JK, is more concerned with the activities of TASC than with statistics and presentations.
All of this naturally raises the following question: Could a person alter his basic nature? And if he tries, as Srikant did, is he not harming himself – and others, including his family. Raji is confronted with a similar dilemma. Previously a key member of Tamil Rebels, she is currently employed as a blue-collar employee at Chennai manufacturing. She is harassed at work and sexually assaulted on the transport, but she does not react. She always tries to maintain a low profile and face humiliation to conceal her actual identity. However, their true identities — their fundamental missions – keep both Srikant and Raji alive and sane.
Does the Family Man Season 2 justify its prequel?
In stark contrast to the prequel’s first three episodes, the second season’s first three episodes struggle to establish a rhythm and voice. The revised version lacks Srikant’s exasperations and perplexities, as well as considerable hilarity.
At least two storyline twists – a meeting between a Pakistani’major’ and a Tamil Rebel head in an outdoor space and being filmed by a RAW agent, and Suchitra’s displeasure with her marriage – seemed dubious and artificial.
The first season’s antagonists, particularly Moosa (Neeraj Madhav), had a surprise element; this is not the case in the sequel. Even the seething scenes – Raji’s harassment, Srikant’s humiliation – conclude predictably.
However, a few critical adjustments are beginning to take shape this season. Srikant rejoins TASC, which helps concentrate on the upcoming episodes. Furthermore, we get more sequences with Bajpayee and Sharib Hashmi(JK), who have an amazing chemistry. Their exchanges are defined by delectable humor and reassuring compassion and cover a wide range of themes that serve as the show’s introduction.
While Bajpayee performs admirably as usual, Hashmi is the true star, illuminating the season anytime he is on screen. It’s a varied part that encompasses levity, seriousness, and tomfoolery without ever displaying performance strain. Samantha Akkineni is also remarkable as the violent yet calm rebel. The location shifts to Chennai, where we witness some amusing interplay amongst TASC’s agents as a result of their differences in culture.
As the Family Man Season 2’s stakes rise, you’re left to analyse the series’ political implications. Despite this, the show examines its topic from a variety of perspectives. For example, a lengthy dialogue involving Raji and Sajid – a Chennai rebel and a Kashmiri – in the fifth episode highlights the plight of geographical orphans yearning for their homelands.
The Family Man Season 2 frequently confounds our perceptions of what is ‘good’ and ‘bad’. A subordinate policeman, Milind (Sunny Hinduja), even questions JK at one point, “How can we claim to be the good guys?” Srikant emphasizes in another episode that he does not operate for the party leader – or a political party or philosophy – but for larger notions: the leader of the country, the country, and the citizens.
Best Part Of The Family Man Series
While presenting such scenarios, the majority of political Hindi dramas erase the circumstances of the ‘villains.’ Which are frequently accompanied by tiresome declarations of manhood, patriotism, and religion – as well as the classic dog-whistling about underprivileged individuals represented in a texture less manner. The Family Man is always conscious of different worlds – their relocation, denial, and misery. The appearance of one tale does not contradict the existence of each other, and it provides enough opportunity for spectators to dissent with the ‘heroes.’
The Family Man Season 1’s focus on duality was one of its most remarkable elements. Which Srikant should he be: a ‘family guy’ or a covert operative? Are you even capable of choosing among your families and your nation? The creators expand on that topic, combining the protagonist’s dual preoccupations with those of the series. As was the case in the first season, Suchitra visits her children’s bedroom to watch over them – or rather, to bond with them. This time, though, her daughter stays frigid, transforming the event into something far more tragic
However, the finest aspect of The Family Man Season 2 is its willingness to halt a difficult plot and collect moments of humor, absurdity, solemnity – of life itself. For instance, there is a scene in which JK is pursuing Raji but is disgusted by a man cleaning his gums and spitting in public. Or Dhriti moving forward to kiss her partner in a cinema but being awoken by a nosy child some few rows away.
The second season of The Family Man is a respectable follow-up, even if it occasionally lacks the mystery and hilarity of its predecessor. However, by the time it concluded and hinted at a possible third season – centred on the COVID-19 pandemic and somebody who appeared to be a Chinese agent – it was difficult not to sense that the show would become more conventional in the future. Especially since the Family Man deviates from the show’s central theme, Srikant’s existential aggravation in balancing his professional and family lives.